Summary

G. Maspero History of Egypt, Chaldæa, Syria…

The wig, secured on the forehead by a richly embroidered band, frames with its somewhat heavy masses the firm and rather plump face: the eyes are living, the nostrils breathe, the mouth smiles and is about to speak. The art of Egypt has at times been as fully inspired; it has never been more so than on the day in which it produced the statue of Nofrît.
Source: Gutenberg

G. Maspero History of Egypt, Chaldæa, Syria…

Amenemhâît I. founded a great temple at Tanis in honour of the gods of Memphis: the vestiges of the columns still scattered on all sides show that the main body of the building was of rose granite, and a statue of the same material has preserved for us a portrait of the king. He is seated, and wears the tall head-dress of Osiris. He has a large smiling face, thick lips, a short nose, and big staring eyes: the expression is one of benevolence and gentleness, rather than of the energy and firmness which one would expect in the founder of a dynasty.
Source: Gutenberg

G. Maspero History of Egypt, Chaldæa, Syria…

Nobles and fellahs, soldiers and priests, scribes and craftsmen,—the whole nation lives anew before us; each with his manners, his dress, his daily round of occupation and pleasures. It is a perfect picture, and although in places the drawing is defaced and the colour dimmed, yet these may be restored with no great difficulty, and with almost absolute certainty. The king stands out boldly in the foreground, and his tall figure towers over all else. He so completely transcends his surroundings, that at first sight one may well ask if he does not represent a god rather than a man
Source: Gutenberg

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