Andrew Lang

Andrew Lang

Summary

Portrait of Andrew Lang Andrew Lang Myth, Ritual, and Religion (1887)

They creep out from the huts of peasants, and from the battered fanes of half-forgotten rural gods; and from dark corners of the soul they return to life, as in the time of Porphyry and Plotinus, or as in the ritual rubbish of the Brahmanas, or in the witch-trials of the Middle and Modern Ages. Man can never be certain that he has expelled the savage from his temples and from his heart; yet even the lowest known savages, in hours of awe and of need, lift their hands and their thoughts to their Father and to ours, who is not far from any one of us.
Source: Wikisource

Portrait of Andrew Lang Andrew Lang Myth, Ritual, and Religion (1887)

First we have that nebulous and confused frame of mind to which all things, animate or inanimate, human, animal, vegetable, or inorganic, seem on the same level of life, passion, and reason. The savage draws no hard and fast line between himself and the things in the world. He regards himself as literally akin to animals and plants and heavenly bodies; he attributes sex and procreative powers even to stones and rocks, and he assigns human speech and human feelings to sun and moon and stars and wind, no less than to beasts, birds, and fishes.
Source: Wikisource

Portrait of Andrew Lang Andrew Lang Myth, Ritual, and Religion (1887)

This spectacle of a race obedient to the dead and bowing down before the beasts, this procession of gods that were their own fathers and members together in Ra, wakened the interest of the Greeks, who were even more excited by the mystery of extreme age that hid the beginnings of Egypt. Full of their own memories and legends of tribal movements, of migrations, of invasions, the Greeks acknowledged themselves children of yesterday in face of a secular empire with an origin so remote that it was scarcely guessed at in the conjectures of fable.
Source: Wikisource

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