Anne O'Hagan

Anne O'Hagan

Summary

Portrait of Anne O'Hagan Anne O'Hagan Phœbe in Politics (1906)

His voice was a whole volume of satire on woman's influence in politics.
"I speak for myself alone," said Phœbe evenly and angrily.
Again the fatuous Jimmy smiled. It was his smile that fixed Phœbe's resolution to do all that she could to bring about the division. Jimmy, rising to depart, had an illuminating moment when he saw that he had made a mistake. Politics suddenly dropped out of the universe. He looked at an implacably angry face, and realized how much its implacability hurt him. And to realize that was to know how much he cared for Phœbe Symonds.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan Phœbe in Politics (1906)

LONG before the feud between Heronside and Heronside Hills was begun—while yet, indeed, Heronside Hills lay stationless, roadless, nameless, and houseless in the bosom of the future—the whole affair was presaged across Dr. Finley's barberry hedge.
"You," declared Phœbe Symonds, whose summer estate was separated from Jimmy Finley's year-round one by the hedge, and who delivered her opinion from her own side of the division, "you are nothing but a village boy, anyway! A country boy, that's what you are! I am a little city lady!"
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan Phœbe in Politics (1906)

Jimmy hated the two or three afternoons a season when, with his mother, he drove the doctor's ambling mare over the gay roads to Heronside Hills and up to Brierbank, as the Symonds place was called, though Jimmy had not been able to learn why. He was not interested in the starched and curled Phœbe who was led forth on these occasions. He felt his three years' seniority; a man's interests engrossed him.
Source: Wikisource

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