Summary

Portrait of Archibald Geikie Archibald Geikie Landscape in History, and Other Essays

But we fail to form any adequate conception of the lapse of time required for the long succession of changes that followed. We only know that, slowly and insensibly, by the fall of rain, the beating of wind, the creeping of ice-fields, and the surging of the ocean, hollow and glen have been carved out, hill after hill has emerged, like forms from a block of marble under the hand of a sculptor, that ravines have been cut out here and crags have been left there, until, at last, the whole landscape has been wrought into its present forms.
Source: Gutenberg

Portrait of Archibald Geikie Archibald Geikie Landscape in History, and Other Essays

If we detach one of these loosened blocks and set it in downward motion, we may watch it plunge into the abyss, flash from crag to crag, career down the screes of rubbish and make no pause until, if it survive so far, it dashes into the surge below. What we can thus carelessly do in a few moments is done deliberately every winter by the hand of Nature. Slowly but ceaselessly this vast seawall, swept by Atlantic storm, sapped by frost, soaked with rain, dried and beaten by sun and wind, is being battered down under the fire of Nature's resistless artillery.
Source: Gutenberg

Portrait of Archibald Geikie Archibald Geikie Landscape in History, and Other Essays

It will not, I think, be hard to show that in dissipating the popular misconceptions which have grown up around the question of the origin of scenery, science has put in their place a series of views of nature which appeal infinitely more to the imagination than anything which they supplant. While in no way lessening the effect of human association with landscape, science lifts the veil that hides the past from us, and in every region calls up a succession of visions which, by their contrast with what now presents itself to the eye and by their own unlooked-for marvels, rivet our attention.
Source: Gutenberg

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