Summary

Portrait of Aristotle Aristotle On the Parts of Animals — Book I (1912)

Thus then it is plain that it is not of the whole soul that we have to treat. For it is not the whole soul that constitutes the animal nature, but only some part or parts of it. Moreover, it is impossible that any abstraction can form a subject of natural science, seeing that everything that Nature makes is means to an end. For just as human creations are the products of art, so living objects are manifest in the products of an analogous cause or principle, not external but internal, derived like the hot and the cold from the environing universe.
Source: Wikisource

Portrait of Aristotle Aristotle On the Parts of Animals — Book I (1912)

Now in the works of nature the good end and the final cause is still more dominant than in works of art such as these, nor is necessity a factor with the same significance in them all; though almost all writers, while they try to refer their origin to this cause, do so without distinguishing the various senses in which the term necessity is used. For there is absolute necessity, manifested in eternal phenomena; and there is hypothetical necessity, manifested in everything that is generated by nature as in everything that is produced by art, be it a house or what it may.
Source: Wikisource

Portrait of Aristotle Aristotle On the Parts of Animals — Book I (1912)

Every realm of nature is marvellous: and as Heraclitus, when the strangers who came to visit him found him warming himself at the furnace in the kitchen and hesitated to go in, reported to have bidden them not to be afraid to enter, as even in that kitchen divinities were present, so we should venture on the study of every kind of animal without distaste; for each and all will reveal to us something natural and something beautiful.
Source: Wikisource

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