Arthur Dimock

“ Bede, in one sense most interesting, becomes in a second sense most irritating. We would give much to know how long an interval had elapsed since the last bishop, whether this rude East Saxon building was erected on the ruins of another or on a different site, whether the name St. Paul's was a continuation or no. Bede is silent, ignoring the distressed and defeated Britons as an inferior race. ”

“ It is, in fact, a screen or curtain wall; the lower stage alone is the wall of the aisles, and the disfiguring square openings with which the pedestals below the niches are pierced, give light to the passages and galleries between the aisles and the roof. Externally one is supposed to see the wall of the cathedral; in reality one sees the lower story forming the wall, and an upper story in continuation made to look as though the church were immediately behind, but in reality quite disengaged from it. ”

“ Between the altar and the Lady Chapel was St. Erkenwald's noted and richly decorated shrine, and the tombs of Bishop Braybroke and Dean Nowell. Hard by in the north aisle slept John of Gaunt under his magnificent canopy; and supporter of Wycliffe though he was, his tomb was rifled and defiled during the Commonwealth. Near at hand was the monument of Sebba, King of the East Saxons—a convert of Erkenwald, from whom he received the cowl. In the disgraceful chaos after the Fire, the body of Sebba, says Dugdale "was found curiously enbalmed in sweet odours and clothed in rich robes." ”

“ Bishop Robert de Braybroke.—On Courtenay's translation to Canterbury, Braybroke became bishop (1382-1404) . A thoroughly practical reformer, he held out the threat of the greater excommunication because "in our Cathedral not only men but women also, not on common days alone but especially on Festivals, expose their wares as it were in a public market, and buy and sell without reverence for the holy place.... Others play at ball or other unseemly games, both within and without the church, breaking the beautiful and costly painted windows, to the amazement of the spectators." ”

“ The keystones are ornamented with heads and other pieces of sculpture. As Wren employed so few arches they rise to a great height, and of the different members of the entablature which rests upon the Corinthian capitals of the greater pilasters, part had to be cut away. The crowns of the arches take a great piece out of the architrave, and their keystones reach well within the plain and narrow frieze. Only the cornice of the first stage remains intact, and this runs round the four limbs of the church like a string course in any Romanesque or Gothic building. ”

“ On the other hand, he reckoned the dome "a form of church-building unknown in England, but of wonderful Grace," and, moreover, the dome wasted a minimum of space, whilst a mediæval cathedral could accommodate only a small auditory in proportion to its large area, so that every one could both see and hear. Any place of worship was in his eyes badly or imperfectly constructed in which the preacher's voice could not travel so as to be distinctly heard. There is much to be said on both sides in regard to the comparative merits of Gothic and Renaissance ”

“ The four sides terminating the main aisles are longer than the four alternate sides at the angles of the side aisles; but at Ely this presents no difficulty, owing to the use of the pointed arch. As you stand in the centre of the octagon under the lantern you see eight spacious arches of two different widths, all springing from the same level and rising to the same height of eighty-five feet, the terminal arch of the Norman nave pointed like its opposite neighbour of the choir. Amongst Gothic churches the interior of Ely reigns unique and supreme, certainly in England, if not in Europe. ”

“ Hence it need take no one by surprise that some, although they recognise the superiority of the present exterior, give the preference to the originally designed interior. The short arms were expanded into choir, transepts, and nave; the elaborate vestibule has gone, but the west chapels have appeared. Finally, the curved lines at the angles of the arms, designed to aid the interior vistas, have given way to the orthodox right angles. It is impossible to say how far Wren would have altered his opinions had he ever seen the present building filled from door to door, as it now occasionally is. ”

“ They strike the eye everywhere. Those who claim that in this respect Exeter is the most perfect cathedral, not only in England but throughout the world, must limit their comparison to the older buildings. Here, when we have described the details of the architecture of the nave, we have little or nothing that requires to be said of the architecture of the choir and transepts. The dome, of course, has features peculiar to itself. ”

“ The Lantern is an elegant and graceful piece of design and workmanship, and consists of three square stages, each of them with lights and with recesses (or chamfered, so to speak) at the angles. The second has Corinthian columns, which must be fifteen feet in height, and a plain entablature, and some more urn-shaped pedestals. The third is completed with a miniature dome, and has upper and lower lights in each face. Standing immediately underneath, or by Nelson's tomb in the Crypt, these lights produce a striking and almost unique effect. ”

“ Christ stands on the Tree of Life, branches on either side and the cross behind. The water of life issues from below the tree, making a silver flood; these silver tones, the result of many experiments, when flashing, expand and give more light than gold. ”

“ The ground-plan suggests the Gothic; the pilasters and entablature the Greek and Roman; the round arch is found in both Roman and Romanesque, and that commanding feature, the Dome, is the common property of many styles and many ages. The general plan resembles the long or Latin Cross, with transepts of greater breadth than length; and the uniformity is broken by an apse at the east, and the two chapels at the west end. ”

“ No doubt the size of the dome requires a proportionate rise in the lower elevations; but the fact remains that the exterior and interior do not correspond. A greater authority than this critic has thus defined good architecture: "The essence of good architecture of any kind is that its constructive system should be put boldly forward, that its decorative system should be such as in no way conceals or masks the construction, but makes the constructive features themselves ornamental." ”

“ Sir William has done a great deal more than design. He has, so far as this country is concerned, caused us to acquire a new art, while he has restored an old one. The workmen, who are all natives, have been trained by him. Accustomed only to the smooth, pictorial mosaics of thin plates of glass put together in the workshop, he had to teach the Messrs. Powell and their staff both how to make the glass cubes, and how to put each one separately into its place in the cement on the wall or roof. ”

“ All Souldiers the grief, the World his good name."
Another wooden tablet in the north aisle was to the memory of his father-in-law, the statesman Walsingham; and numerous other statesmen, nobles, divines, and lawyers were buried, or at least remembered. We can but regret that these are now things of the past, and gone, with the exception of the effigy of Dean Donne—as remarkable as the man himself—and a few mutilated remains. Even Colet's is gone.
Before descending to the Crypt we may remark that the Interior must have fully emphasised the sense of majestic beauty produced by the Exterior. ”

“ The simple inscription, "Arthur, Duke of Wellington," upon the severely simple tomb, depicts, not incorrectly, the life and character of the Iron Duke. A neighbouring tomb is that of Picton. Some little distance to the east, and in the end recess of the south choir aisle is the grave of Wren. The plain black marble slab, which tells who lies below, is only raised some sixteen inches; and on the wall of the recess is the original of the famous inscription, "Lector, si monumentum requiris, circumspice." Other members of the family are close at hand in what we may call Wren's corner. ”

“ The usual observer will wonder why there are niches instead of windows in the upper stage, as light is so much needed. On entering the interior he will notice that the height of the aisles does not correspond with the exterior; and on ascending to the Stone Gallery will ascertain that this upper stage of the exterior is not part of the actual wall of the church, which stands back some thirty feet. ”

“ The eighteenth century does not call for more than a passing notice. Wren's intentions continued to be delayed or frustrated in at least four important respects. The high railings shut out any complete view of the exterior: the dome area, isolated from the choir by the organ, was not used for the very purpose it was designed: the interior lacked mosaics: no monuments to the great dead filled the recesses ready for them. ”

“ The Bishop was directed to see that the appointed preachers at Paul's Cross taught that the Pope had no spiritual authority of divine right. Here as elsewhere it is remarkable with what ease and unanimity the papal jurisdiction based on the Petrine claims was done away with. No dignitary—and Bonner that year became Prebendary of Chiswick—no priest of humbler rank connected with the cathedral, either resigned or got into trouble on this important doctrinal question ”

“ Paul's the civic representatives attended in full state, and Bishop Compton, Dean Sherlock, and the cathedral staff, occupied the new stalls of Grinling Gibbons. The temporary organ accompanied the chanting, and a special prayer incorporated into the Communion office ran: "We offer our devout praises and thanksgivings to Thee for this Thy mercy, humbly beseeching Thee to perfect and establish Thy good work. [71] Thou, O Lord, dwellest not in houses made with hands; heaven and the heaven of heavens cannot contain Thee; but though Thy throne is in heaven, earth is Thy footstool ”

“ Fortunately, Wren was an enthusiast in his great work, and the happy possessor of an equable temperament that nothing could seriously disturb. [74] Otherwise this disgraceful treatment of so old a man might well have been fatal.
It is better to turn away from this as quickly as may be, and contemplate with a laudable pride the great achievement of our ancestors. The Plague, and still more the Fire, must have seriously impoverished the City; and in 1703 the great storm did immense damage. Of the five-and-thirty years the cathedral was in building, one half were years of war ”

“ Bishop Braybroke's efforts at reform have been already acknowledged: his tomb was behind the high altar towards the east. "In the Convocation House Yard [apparently the space within the Chapter House Cloisters] did there see the body of Robert Braybroke, Bishop of London, that died in 1404. He fell down in the tomb out of the great church into St. Fayth's this late fire, and is here seen his skeleton with the flesh on; but all tough and dry like a spongy dry leather or touchwood, all upon his bones. His head turned aside. A great man in his time, and Lord Chancellor. ”

“ This reminds us that the crypt has been a burial place for ages past. Many completely unknown lie around us, and sleep in the company of more than one great maker of history; but we are concerned only with the few, and with certain monuments of others buried elsewhere. At the west is placed Wellington's funeral car, made of captured guns, and with his chief victories inscribed in gold, and the candelabra used for the lying in state. ”

“ The clerestory windows are a puzzle. Everybody maintains they were Pointed, and, if so, they would have been inserted at the same time as the new roof; but there seems to be no trustworthy authority for this. In Finden's engravings after Hollar they are taken at a peculiar angle which is apt to mislead. Hollar and his engravers give two windows on the south side in the interior, i.e., of the nave and clerestory. Both seem alike; and Inigo Jones' patched-up north and south fronts represent them both as round, so that the balance of evidence appears to be in favour of round. ”

“ The pilasters by the windows have representations of Hope, Fortitude, Charity, Truth, Chastity, and Justice.
But we have already exceeded our limit in describing this effort to carry out Wren's conception on a large and well-organised scale. Nothing approaching to it has ever been attempted in this country before; it is "a new art acquired, a new craft learnt." Had not the artist been constantly on the spot to see that his own thoughts were reproduced, the work must have suffered. ”

“ In the pages of Bede, writing about a century later, we come across something more definite, which readers interested in St. Paul's may care to have.
"In the year of our Lord 604, Augustine, Archbishop of Britain, consecrated two bishops, viz., Mellitus and Justus; Mellitus to preach to the province of the East Saxons, who are divided from Kent by the river Thames, and border on the eastern sea. Their metropolis is the city of London, situated on the bank of the aforesaid river, and is the mart of many nations resorting to it by sea and land. ”

“ There is scarce any Gothick Cathedral, that I have seen, at home or abroad, wherein I have not observed the Pillars to yield and bend inwards from the Weight of the Vault of the Aile.... For this Reason this Form of Churches has been rejected by modern Architects abroad who use the better and Roman Art of Architecture.... Almost all the Cathedrals of the Gothick Form are weak and defective in the Poise of the Vault of the Aile. ”