Summary

Portrait of Arthur Machen Arthur Machen The Shining Pyramid (collection… (1923)

We have eaten too long of the accursed fruit, we have drunk too much poisonous doctrine to be worthy to receive such high things as these. Let us be thankful, therefore, that in the nineteenth century, while we worked every abomination, every madness, there was a certain Charles Dickens who caught a glimpse of the enchanted land, who retold, under grotesque cockney disguises, the old tale of wonder, who showed us once more, in ugly costume enough, the mystery-play of this our mortal life.
Source: Wikisource

Portrait of Arthur Machen Arthur Machen The Shining Pyramid (collection… (1923)

The old tower, standing in the midst of lonely, red plough-lands far from the highway, is at first only the convenient place where the young peasant studies astronomy; but as you read you feel the change coming; the tower is transmuted, glorified; every stone of it is aglow with mystic light, it is made the abode of the Lover and the Beloved; it is seen to be a symbol of Love, of an ecstasy remote, and passionate, and eternal, dwelling far from the ways of men.
Source: Wikisource

Portrait of Arthur Machen Arthur Machen The Shining Pyramid (collection… (1923)

It is probable, again, that the theory of Dickens the caricaturist has been pushed much too far; that a great deal that seems strange, uncouth, impossible to us, is faithful representation enough—only the society that Dickens knew has passed away and the fashion of it, and we, who may be well-instructed as to the social life of Athens 400 B.C, or of mediæval Paris in the fourteenth century, are so ignorant of the petite bourgeoisie of eighty years ago in England that its manners and customs seem to us the odd inventions of a whimsical and fantastic writer.
Source: Wikisource

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