Arthur Stringer

Arthur Stringer

Summary

Portrait of Arthur Stringer Arthur Stringer,  Phantom Wires: A Novel

“ The sudden leap and cry of Keenan sent a tingle of apprehension up and down her body. She asked herself, vaguely, if all the rest of her life was to be made up of this brawling and fighting in unlighted chambers of horror; if, now that they were in the more turgid currents for which they had longed, there were to come no moments of peace amid all their tumult and struggling.
Then she drew in her breath with a little gasp, for she saw Pobloff, with a quick writhe of his thin body, free his imprisoned right arm, and strike with the metal butt of his revolver.
”
Source: Gutenberg

Portrait of Arthur Stringer Arthur Stringer,  Phantom Wires: A Novel

“ She had a memory of Durkin almost as excited as the dancing harbor orator himself, raging up and down the quay with a handful of Italian paper money between his fingers, until the boatman relented. Then came a memory of tossing up and down in a black and windy sea, of creeping under a great shadow stippled with yellow lights, of grating and pounding against a ship's ladder, of an officer in rubber boots running down to her assistance, of more blinking lights, and then of the quiet and grateful privacy of her own cabin, smelling of white-lead paint and disinfectants. ”
Source: Gutenberg

Portrait of Arthur Stringer Arthur Stringer,  Phantom Wires: A Novel

“ Durkin's first tangible feeling was a passion to lose and submerge himself in the muffling midnight silences, the silences of those outwardly quiet gardens at heart so old in sin and pain.
He felt the necessity for some sudden and sweeping readjustment, and his cry for solitude was like that of the child wounded in spirit, or that of the wild animal sorely hurt in body. Before he could face life again, he felt, he had to build up about him the sustaining fabric of some new and factitious faith.
”
Source: Gutenberg

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