Arthur Train, “The Madonna of the Blackbird” (1913)
“ The door of No. 4 was open, and a man in a white apron leaned outside, wiping his forehead. “It’s a devil of a day, M’sieu Badoit,” said Donaque, mopping his temples with a red handkerchief. “You may well say that!” replied the other, who, being a concierge, was well known to hundreds of cabbies. “It makes everybody so nervous.” “How is M. Fournier these days?” continued Donaque. “I suppose the loss of the picture has upset him a great deal. They say he knows more than he tells, eh?” ”
