Augustus E. Silliman

Summary

Augustus E. Silliman A gallop among American scenery (1843)

Jump—I’m in my saddle. Are you ready?—Allons. Well broken is that grey of yours, he has a good long trot—how easy it makes your rise in the saddle, and how graceful is the gait. But here we are at the Ferry. Now, we cross thy stream, Niagara! Now, we stand on British ground! Generous and gallant blood has deeply stained its soil! Observe these crumbling works—the old stone fort facing the river—the remains of ramparts and trenches—here a bastion—further on, a redoubt—there again lines and earthworks, forming a continuous circle of defence, but all now fast sinking to their original level.
Source: Gutenberg

Augustus E. Silliman A gallop among American scenery (1843)

Ay—and as thy proud ship a helpless target lay, for twice superior force, I hear poor Ripley, thy brave comrade, severed almost in twain by cannon shot, crying, with short farewell—“Messmates, I am no longer of use to myself or country,” as he throws himself, his life-blood gushing, overboard.
But now the wind freshens—the smooth surface darkens—the sails belly out in tension, and the white ripples gather under our bows. We round the point: Fort Adams, we pass thy massive walls, thy grim “forty-two’s” glaring like wild beasts, chained, ready to leap upon us from their casements.
Source: Gutenberg

Augustus E. Silliman A gallop among American scenery (1843)

It was a horrid conflict. Humanity sighs over the slaughter of the brave men that fell in it.
But here we are, at the grave-yard, with its drooping willows and flowering locusts. Still—still—and quiet now. No armed men disturb its calmness and repose—no ponderous artillery wheels rudely cut its consecrated mounds—no ruffian jest—no savage execration—no moan of anguish, break now upon its hallowed silence. The long grass and blossoming heather waive green alike over the graves of friend and enemy. The marble tells the story of the few—the many, their very parents know not their resting place.
Source: Gutenberg

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