Summary

Benjamin Ellis Martin The Stones of Paris in History and Letters…

We pass along Rue Saint-Antoine, so commonplace and sordid to-day, so crowded with history and tradition. It has seen, in its short length, pageants of royalty and nobility, the hide-and-seek of romance, the blood-letting of sharp blades, the carnage of the common people, such as no other street of any other town has known. Its memories would fill a fat volume.
The little temple of Sainte-Marie on our left, as we go—a reduced imitation of Rome's Pantheon—is a design by François Mansart, and while it has his grace of line and his other qualities, it is not a notable work.
Source: Gutenberg

Benjamin Ellis Martin The Stones of Paris in History and Letters…

For the aspect of a street, or 211 the atmosphere of a house, tells to the intelligent looker-on as much of its bygone inmates as of its bare masonry. And kindly fate has left such relics plentifully scattered about the Marais. In oldest Paris of the Island, and in that almost as old suburb on the southern bank, one must prowl patiently to find suggestive brick and stone. In those regions a concealed tower, or an isolated tourelle on the angle of a building, makes the whole joy of a day's journey. Here, in the Marais, at every step you stumble on history and tradition and romance.
Source: Gutenberg

Benjamin Ellis Martin The Stones of Paris in History and Letters…

In all these streets, we are treading on the ground he loved.
After the wretched mad king died here in 1422, royalty came no more to the Hôtel Saint-Paul, and the place ran to waste. It was no home for the new Dauphin, come to his kingdom as Charles VII., by the grace of Joan of Arc and of God. His boyish memories were of a dreary childhood, between a mad father, a devilish mother who had hated him from his birth, and princely relatives raging and wrestling over those two for the power to misgovern France. Outside the royal madhouse, Paris was a butcher-shop.
Source: Gutenberg

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