Summary

Portrait of Georges Cain Georges Cain Nooks & Corners of Old Paris

It is from the Bourbon Quay that one of the most beautiful sights imaginable may best be obtained: a sunset over Paris.
The violet-tinted mass of Notre-Dame stands out with its superbly imposing silhouette against the purpled gold of the fiery sky. All the town dies away in a pink dust of light, whilst the broad roofs of the Louvre, the spire of the Sainte-Chapelle, the pepper-box turrets of the Conciergerie, the Saint-Jacques Tower, and the campaniles of the Town Hall, all this landscape alive with history glows in the last rays of the sinking sun.
Source: Gutenberg

Portrait of Georges Cain Georges Cain Nooks & Corners of Old Paris

THE COURTYARD OF THE CARROUSEL AND THE MUSEUMS ABOUT 1848
Etching by Martial
What shall I say of the Tuileries Palace, except that it once was and is no more? How I regret the magnificent shades of its grand avenue, unrivalled even at Versailles, and its clumps of chestnuts that braved the ardent sun rays! Nature alone is to blame for their disappearance, but they might have been replaced by trees less pitiable than the inevitable plane and acacia, which latter, without its flowers, is really the silliest and ugliest of trees.
Source: Gutenberg

Portrait of Georges Cain Georges Cain Nooks & Corners of Old Paris

It is a kind of provincial town in Paris. The streets are silent and deserted; there are no shops, no promenaders, no business; a few old aristocratic mansions, with their tall façades, their emblazoned pediments and their severe architecture, alone tell the glorious past of this noble quarter.
The finely carved spire of Saint-Louis' Church confers an elegance on the somewhat melancholy whole. The quays of Orléans and Bethune contain vast buildings of grand style.
Source: Gutenberg

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