Église de la Madeleine

Definition and stakes

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“ Glorious and gorgeous is the Madeleine. The entrance to the nave is beneath a most stately arch; and three arches of equal height open from the nave to the side aisles; and at the end of the nave is another great arch, rising, with a vaulted half-dome, over the high altar. The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar ”
Source: Gutenberg

Portrait of Harriet Beecher Stowe Harriet Beecher Stowe,  Sunny Memories of Foreign Lands (1854)

“ He that sitteth in the heavens must laugh sometimes at what man calls worship. This Pantheon is, as one might suppose from its history, a hybrid between a church and a theatre, and of course good for neither—purposeless and aimless. The Madeleine is another of these hybrid churches, begun by D'Ivry as a church, completed as a temple to victory by Napoleon, and on second thoughts, re-dedicated to God. ”
Source: Gutenberg

Portrait of Anna Cora Ogden Mowatt Ritchie Anna Cora Ogden Mowatt Ritchie,  Fairy Fingers

“ Night after night,—how many I do not know—I could not count,—I have seen Madeleine beside me! When the good 'sister' moved about the room, in the dim light of the veilleuse, in spite of her coarse, unshapely garb, I recognized the outlines of Madeleine's form; notwithstanding the uncouth bonnet, and the white bandage that concealed her hair and brow, and, passing beneath her chin, almost hid her face, I recognized the features of Madeleine. I watched her as she glided about the room, and with her delicate, noiseless, rapidly moving touch created the most perfect order around her. ”
Source: Gutenberg

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