Dorothy Canfield Fisher

Dorothy Canfield Fisher

Summary

Portrait of Dorothy Canfield Fisher Dorothy Canfield Fisher Home Fires in France

The house shook, the windows rattled, the glasses danced on the sideboard to the thunder of the innumerable marching feet outside, to the endless rumble of the camions and artillery. The volume of this wild din, and the hurried pulse of straining haste which was its rhythm, staggered the imagination. Madeleine scorned to look out of the window, although Simone and the children called to her from behind the curtains: "There are millions and millions of them! They are like flies! You couldn't cross the street, not even running fast, they are so close together!
Source: Gutenberg

Portrait of Dorothy Canfield Fisher Dorothy Canfield Fisher Home Fires in France

You have seen the long, gray, stony street filled morning and evening with horses and laborers going out to work or returning, and in the meantime dozing somnolent in the sun, with only a cat or dog to cross it, an old woman going out for the grass, or a long, gray American Ford Ambulance banging along over the paving, the square-jawed, clean-shaven boy from the States zigzagging desperately with the vain idea that the other side of the street cannot be so rough as the one he is on.
Source: Gutenberg

Portrait of Dorothy Canfield Fisher Dorothy Canfield Fisher Home Fires in France

Anything serves as ground for accusation—a liberal book, a harmless pamphlet found in the bookcase, the possession of a copper object forgotten after the summons to give up all copper has gone out, a piece of red, white, and blue ribbon, a copy of the 'Marseillaise,' a book of patriotic poems; but, above all, the possession of anything that serves to point to communication, ever so remote, with the outside world. That is the supreme crime in their eyes. A page of a French or English newspaper is as dangerous to have in the house as a stick of dynamite.
Source: Gutenberg

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