Summary

Benjamin F. Taylor The World on Wheels, and Other Sketches

Rivalry has run away from fear. Our engineer puts on a little more speed. The train draws slowly out from the even race, like the tube of a telescope. It is the poetry of motion—power spurning the ground without leaving it. Good-by, palaces! good-by, coaches! good-bye baggage-cars! good-by, engine! good-by, Pittsburg! We have shown that train a clean pair of heels. There is nothing left of it but black and white plumes of steam and smoke. Look around you. The car is all smiles and congratulations. "Grave and gay," they are as lively as a nest of winning gamblers.
Source: Gutenberg

Benjamin F. Taylor The World on Wheels, and Other Sketches

There is the Road to Labrador, known as the Rome, Watertown & Ogdensburg, that deludes you in winter time from modern Rome, in the State of New York, and takes you into a world snowed clean of every fence and vestige of civilization, except houses in white turbans set waist-deep in the drifts. By-and-by the engine, with strange woodchuck proclivities, falls to burrowing in a white bank, and there you wait like a precious metal to be digged out. The wind gives Alaska howls around the shivering car. The stoves comfort themselves with a quiet smoke.
Source: Gutenberg

Benjamin F. Taylor The World on Wheels, and Other Sketches

A one-horse wagon—for nothing was buggy then, but neglected bedsteads—artistically bilious, and striped like a beetle, with a paneled box high before and behind, like an inverted chapeau, and a seat with a baluster back, softened and graced with a buffalo robe, warm in winter—and in summer also—was one of the wheeled wonders of my boyhood. No sitting in that wagon like a right-angled triangle—room in front for any possible length of leg, and a foot-stove withal—room behind for two or three handfuls of children, and a little hair-trunk with a bit of brass-nail alphabet on the cover.
Source: Gutenberg

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