Summary

Portrait of Bernard Mandeville Bernard Mandeville The Fable of the Bees; Or, Private Vices…

I have made this digression chiefly to show the strength of human nature, and what mere man may perform by pride and constitution alone. Man may certainly be as violently roused by his vanity, as a lion is by his anger; and not only this, avarice, revenge, ambition, and almost every passion, pity not excepted, when they are extraordinary, may, by overcoming fear, serve him instead of valour, and be mistaken for it even by himself; as daily experience must teach every body that will examine and look into the motives from which some men act.
Source: Gutenberg

Portrait of Bernard Mandeville Bernard Mandeville The Fable of the Bees; Or, Private Vices…

For when a man in ease and affluence, brim-full of vain glory, and humoured in his pride by the greatest of a polite nation, has such an infallible security in petto for an everlasting homage and adoration to his manes to be paid in such an extraordinary manner, he is like a hero in battle, who, in feasting of his own imagination, tastes all the felicity of enthusiasm. It buys him up in sickness, relieves him in pain, and either guards him against, or keeps from his view all the terrors of death, and the most dismal apprehensions of futurity.
Source: Gutenberg

Portrait of Bernard Mandeville Bernard Mandeville The Fable of the Bees; Or, Private Vices…

No anger nor jealousy are ever to be seen at an opera, that distort the features; no flames that are noxious, nor is any love represented in them, that is not pure and next to seraphic; and it is impossible for the remembrance to carry any thing away from them, that can sully the imagination. Secondly, the company is of another sort: the place itself is a security to peace, as well as every one’s honour; and it is impossible to name another, where blooming innocence and irresistible beauty stand in so little need of guardians.
Source: Gutenberg

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