Summary

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXVIII (1918)

Its boundary was mere shapelessness on the run; a raw, new house would appear on a country road; four or five others would presently be built at intervals between it and the outskirts of the town; the country road would turn into an asphalt street with a brick-faced drugstore and a frame grocery at a corner; then bungalows and six-room cottages would swiftly speckle the open green spaces—and a farm had become a suburb which would immediately shoot out other suburbs into the country, on one side, and, on the other, join itself solidly to the city.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXVIII (1918)

Four photographs all framed in decorous plain silver went to the anthracite’s fierce destruction—frames and all—and three packets of letters and notes in a charming Florentine treasure-box of painted wood; nor was the box, any more than the silver frames, spared this rousing finish. Thrown heartily upon live coal, the fine wood sparkled forth in stars, then burst into an alarming blaze which scorched the white mantelpiece, but Lucy stood and looked on without moving.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXVIII (1918)

In truth, the city came to be like the body of a great dirty man, skinned, to show his busy works, yet wearing a few barbaric ornaments; and such a figure carved, coloured, and discoloured, and set up in the market-place, would have done well enough as the god of the new people. Such a god they had indeed made in their own image, as all peoples make the god they truly serve; though of course certain of the idealists went to church on Sunday, and there knelt to Another, considered to be impractical in business.
Source: Wikisource

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