Summary

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXXV (1918)

He stopped on the threshold, startled; for, from the waxen face on the pillow, almost it seemed the eyes of Isabel herself were looking at him: never before had the resemblance between mother and son been so strong—and Eugene knew that now he had once seen it thus startlingly, he need divest himself of no bitterness “to be kind” to Georgie.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXXV (1918)

Eugene did not care to have any suggestions about Georgie Minafer made to him. Kinney had represented Georgie as a new Georgie—at least in spots—a Georgie who was proving that decent stuff had been hid in him; in fact, a Georgie who was doing rather a handsome thing in taking a risky job for the sake of his aunt, poor old silly Fanny Minafer! Eugene didn’t care what risks Georgie took, or how much decent stuff he had in him: nothing that Georgie would ever do in this world or the next could change Eugene Morgan’s feeling toward him.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Magnificent Ambersons — Chapter XXXV (1918)

He began to think poignantly of Isabel: he had seldom been able to “see” her more clearly than as he sat looking out of his compartment window, after reading the account of this accident. She might have been just on the other side of the glass, looking in at him—and then he thought of her as the pale figure of a woman, seen yet unseen, flying through the air, beside the train, over the fields of springtime green and through the woods that were just sprouting out their little leaves.
Source: Wikisource

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