Summary

Portrait of Bret Harte Bret Harte The Story of a Mine

It was Carmen de Haro's first sketch of the furnace and the mine.
“I see you are taken with that picture,” said Harlowe, pausing with the champagne bottle in his hand. “You show your good taste. It's been much admired. Observe how splendidly that firelight plays over the sleeping face of that figure, yet brings out by very contrast its almost death-like repose. Those rocks are powerfully handled; what a suggestion of mystery in those shadows! You know the painter?”
Thatcher murmured, “Miss De Haro,” with a new and rather odd self-consciousness in speaking her name.
Source: Gutenberg

Portrait of Bret Harte Bret Harte The Story of a Mine

They had once or twice met on the staircase, on which occasion Thatcher had greeted her with a word or two of respectful yet half-humorous courtesy,—a courtesy which never really offends a true woman, although it often piques her self-aplomb by the slight assumption of superiority in the humorist. A woman is quick to recognize the fact that the great and more dangerous passions are always SERIOUS, and may be excused if in self-respect she is often induced to try if there be not somewhere under the skin of this laughing Mercutio the flesh and blood of a Romeo.
Source: Gutenberg

Portrait of Bret Harte Bret Harte The Story of a Mine

Do I understand you to say, sir, that murder stands upon the record—stands upon the record, sir,—of this cause to which, as a representative of Remus, I have lent my official aid? Do you mean to say that you have deceived my constituency, whose sacred trust I hold, in inveigling me to hiding a crime from the Argus eyes of justice?” And Mr. Gashwiler looked towards the bell-pull as if about to summon a servant to witness this outrage against the established judiciary.
Source: Gutenberg

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