Charles Carroll Everett

Charles Carroll Everett

Summary

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

The imagination hovers between object and no object. It is fixed to have no object. That is, the imagination, which is regarded as the creator of the objects that fill our consciousness, is wholly suppressed; and this suppression, this non-existence of the imagination, becomes itself the object of a vague consciousness. The dim notion that we have, when for the sake of pure thought we try to abstract from all mingling of the imagination, is something that is not unfamiliar to the thinker. This product must be fixed, like all others, in the understanding.
Source: Wikisource

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

Thus is seen the whole work of the imagination in perception. The pause in its vibration, leaving the opposing forces in equipoise, furnishes the basis or material of the objects of perception, while its productive activity gives to them their form.
We have now, even at the cost of some repetition, to make more distinct the manner in which the objects of perception obtain the appearance of externality. All that we have seen has taken place within the mind itself. It is, however, regarded as opening to the thought a world which lies outside of the mind.
Source: Wikisource

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

When he looks upon the heavens, the universe seems to stretch into infinitude, while man and the world upon which he finds himself seem to shrink into nothingness. When, on the other hand, he looks within, and recognizes the sublimity of the moral law, he feels himself to be the member of a spiritual universe, compared with which the physical universe is as nothing.
Source: Wikisource

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