Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Somebody's Luggage

I—I—I—am the artist. I was the real artist of Piccadilly, I was the real artist of the Waterloo Road, I am the only artist of all those pavement-subjects which daily and nightly arouse your admiration. I do ’em, and I let ’em out. The man you behold with the papers of chalks and the rubbers, touching up the down-strokes of the writing and shading off the salmon, the man you give the credit to, the man you give the money to, hires—yes! and I live to tell it!—hires those works of art of me, and brings nothing to ’em but the candles.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Somebody's Luggage

Nobody's eyes, nor yet noses.
What I still look at most, in connection with that Luggage, is the extraordinary quantity of writing-paper, and all written on! And not our paper neither,--not the paper charged in the bill, for we know our paper,--so he must have been always at it. And he had crumpled up this writing of his, everywhere, in every part and parcel of his luggage. There was writing in his dressing-case, writing in his boots, writing among his shaving-tackle, writing in his hat-box, writing folded away down among the very whalebones of his umbrella.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Somebody's Luggage

Every forenoon, soldiers burst out of the great barracks into the sandy gymnasium-ground hard by, and flew over the wooden horse, and hung on to flying ropes, and dangled upside-down between parallel bars, and shot themselves off wooden platforms,--splashes, sparks, coruscations, showers of soldiers. At every corner of the town-wall, every guard-house, every gateway, every sentry-box, every drawbridge, every reedy ditch, and rushy dike, soldiers, soldiers, soldiers.
Source: Wikisource

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