Charles Godfrey Leland

Charles Godfrey Leland

Summary

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

For the seed sprouting from the ground is as strange a truth as though we saw the hosts of heaven sweeping onward in glory, or could commune with fairies, or raise from his grave the master magician of song who laid a curse on all who should dig his dust. But like children who go to sleep in the grand opera, and are wild with delight at Punch, we turn aside from the endless miracle of nature to be charmed and bewildered with the petty thaumaturgy of guitars in the dark, cigarettes, and rope-tying, because it corresponds to and is miracle enough for us.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

Considering that the dream-power has millions of experiences or images at its command, that it flits over them all like lightning, that it can combine, abstract, compare, and deduct, that it being, so to speak, more of a thaumaturgical artist than anything else, excels waking wisdom in subtle trickery, the wonder is, not that we so often hear of marvellous, magical, inexplicable wonders, but that they are not of daily or hourly occurrence.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

What genius is, physiology, with all the vast flood of light spread by FRANCIS GALTON on hereditary gifts, cannot as yet explain. It is an absolute thing of itself, and a "miracle." Sometimes this wonderful power of prediction and of reading thought and quickly finding and applying rules falls into the hands of a genius. Then all our explanations of "humbug" and "trickery" and juggling fall to the ground, because he or she works what are absolutely as much miracles as if the artist had raised the dead. Such geniuses are the prophets of old; sometimes they are poets.
Source: Wikisource

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