Summary

Portrait of Charles Reade Charles Reade Christie Johnstone: A Novel

Flucker began to sob at this.
Christie could not cry; her heart was like a lump of lead in her bosom; but she put her arm round his neck, and at the sight of his sympathy she panted heavily, but could not shed a tear—she was sore stricken.
Presently Jean came in, and, as the poor girl's head ached as well as her heart, they forced her to go and sit in the air. She took her creepie and sat, and looked on the sea; but, whether she looked seaward or landward, all seemed unreal; not things, but hard pictures of things, some moving, some still. Life seemed ended—she had lost her love.
Source: Gutenberg

Portrait of Charles Reade Charles Reade Christie Johnstone: A Novel

Gatty had deluged them with words.
“When it is art, truth, or sense to fuse a cow, a horse, and a critic into one undistinguishable quadruped, with six legs, then it will be art to melt an ash, an elm, and a lime, things that differ more than quadrupeds, into what you call abstract trees, that any man who has seen a tree, as well as looked at one, would call drunken stinging-nettles. You, who never look at nature, how can you judge the arts, which are all but copies of nature? At two hundred yards' distance, full-grown trees are more distinguishable than the animal tribe.
Source: Gutenberg

Portrait of Charles Reade Charles Reade Christie Johnstone: A Novel

Gatty was a artist pur sang—and Christie, who would not have been the wife for a petit maitre, was the wife of wives for him.
He wanted a beautiful wife to embellish his canvas, disfigured hitherto by an injudicious selection of models; a virtuous wife to be his crown; a prudent wife to save him from ruin; a cheerful wife to sustain his spirits, drooping at times by virtue of his artist's temperament; an intellectual wife to preserve his children from being born dolts and bred dunces, and to keep his own mind from sharpening to one point, and so contracting and becoming monomaniacal.
Source: Gutenberg

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