Summary

Charles Squire The Mythology of the British Islands

The attraction of the Arthurian story lies less in the battles of Arthur or the loves of Guinevere than in the legend that has given it its lasting popularity—the Christian romance of the Quest of the Holy Grail. So great and various has been the inspiration of this legend to noble works both of art and literature that it seems almost a kind of sacrilege to trace it back, like all the rest of Arthur’s story, to a paganism which could not have even understood, much less created, its mystical beauty.
Source: Gutenberg

Charles Squire The Mythology of the British Islands

In spite of this, not one of the aspirants to the princess can stand before Cuchulainn. All perish; and Findabair, when she finds out how she is being promised to a fresh suitor every day, dies of shame. But, while Cuchulainn is engaged in these combats, Medb sends men who scour Ulster for the brown bull, and find him, and drive him, with fifty heifers, into her camp.
Meanwhile the Æs Sídhe, the fairy god-clan, are watching the half-divine, half-mortal hero, amazed at his achievements. His exploits kindle love in the fierce heart of the Morrígú, the great war-goddess.
Source: Gutenberg

Charles Squire The Mythology of the British Islands

But mythology is of such vital need to literature that, deprived of the store of legend native to southern Europe, imaginative writers looked for a fresh impulse. They turned their eyes to the North. Inspiration was sought, not from Olympus, but from Asgard. Moreover, it was believed that the fount of primeval poetry issuing from Scandinavian and Teutonic myth was truly our own, and that we were rightful heirs of it by reason of the Anglo-Saxon in our blood. And so, indeed, we are; but it is not our sole heritage. There must also run much Celtic—that is, truly British—blood in our veins.
Source: Gutenberg

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