Charles Émile Roche

Summary

Charles Émile Roche,  Things Seen in Holland (1912)

“ Although not a seaport, it is more cosmopolitan than Amsterdam, the Dutch city par excellence. The Hague's aspirations are modern, and Dutch traditions are to its citizens a negligible quantity; it is striving to fall in with modern Europe. It is a beautiful city, with its wide streets and well-shaded avenues. Its houses have a characteristic feature in their artistic balconies, and bear an imprint of aristocracy; its citizens are prone to display a certain amount of morgue, and to consider themselves vastly superior to the rest of the Dutch nation. ”
Source: Wikisource

Charles Émile Roche,  Things Seen in Holland (1912)

“ ART is sedulously cultivated in Holland, and one is the whole time looking at an endless unrolling of pictures, both indoors and outside—binnen en buiten. A walk through the streets of any village, town, or city of the Netherlands gladdens the eye. There is high art in the Rijks and in the Stedelijk Museums in Amsterdam, and in the Mauritshuis at The Hague, to mention the three principal picture-galleries of the “lowlands.” ”
Source: Wikisource

Charles Émile Roche,  Things Seen in Holland (1912)

“ The headgear of the womenfolk varies with the locality. Every kind of cap is to be met with, from the close-fitting one of Friesland, worn by the Queen, to the Volendam cap, with its well-starched cornettes, with which opéra-bouffe has rendered us familiar in England. It is on a market-day at Middelburg or at Flushing that the visitor can more especially feast his eyes on Dutch women be-jewelled, be-capped, and be-petticoated, or again at a kermis. ”
Source: Wikisource

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