Edmondo De Amicis

Summary

Edmondo De Amicis Holland and its People — Amsterdam (1874)

This regularity of form, by which the eye can range on every side, gives to the city a grandiose aspect. At every turn of a street you see in a new direction three, four, or even six drawbridges, some rising, some falling, some closed, and some in motion, presenting a confused perspective of beams and chains, as if Amsterdam were composed of so many enemies' quarters, all fortified against each other.
Canals, as broad as rivers, form here and there spacious basins, around which you can go, by a succession of bridges joined one to the other.
Source: Wikisource

Edmondo De Amicis Holland and its People — Amsterdam (1874)

Shortly after these, Amsterdam appears. At the first aspect of the city, even after having seen all the other parts of Holland, you cannot restrain a gesture of astonishment. It is a forest of lofty windmills in the form of towers, steeples, pyramids, light-houses, truncated cones, and aerial houses, waving their enormous arms, and whirling above the roofs and domes like a cloud of monstrous birds beating their wings over the city. In the midst of these mills rise innumerable factory-chimneys, masts of ships
Source: Wikisource

Edmondo De Amicis Holland and its People — Amsterdam (1874)

It seems an immense and disorderly city - Venice, grown large and ugly; a Dutch city, certainly, but seen through a lens which makes it seem three times larger, the capital of an imaginary Holland of fifty millions of inhabitants; an antique metropolis, founded by giants upon the delta of a measureless river, to serve as a port for ten thousand ships, majestic, stern, almost gloomy, and exciting a feeling of astonishment, in which one finds cause for reflection.
Source: Wikisource

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