Christiaan Snouck Hurgronje

Christiaan Snouck Hurgronje

Summary

Portrait of Christiaan Snouck Hurgronje Christiaan Snouck Hurgronje The Achehnese (1906)

To see one's house on fire foretells wealth; walking under an umbrella or riding on a horse or elephant are omens of fame or worldly greatness. The Achehnese is however loth to tell his friends when he has seen himself riding thus in a dream, lest they should pester him with mocking questions as to what dignity he thinks is in store for him, or whether the omen of speedy exaltation might not perhaps only mean that the dreamer would shortly find himself sitting as a thatcher astride the ridge-pole of a roof.
Source: Wikisource

Portrait of Christiaan Snouck Hurgronje Christiaan Snouck Hurgronje The Achehnese (1906)

We can here witness for ourselves one of the methods by which an Achehnese heroic poem is brought into the world. Some one man, who like most of his fellow countrymen knows by heart the classic descriptions of certain events and situations as expressed in verse by the people of the olden time, but whose knowledge, owing to his training and environment, is somewhat greater than that of others; one who is endowed, besides, with a good memory and enthusiasm for the poesy of his country, puts his powers to the test by celebrating in verse the great events of more recent years.
Source: Wikisource

Portrait of Christiaan Snouck Hurgronje Christiaan Snouck Hurgronje The Achehnese (1906)

Whoever would introduce by force an alteration in existing legal institutions found it necessary to reduce his innovation to writing, but those who were content to leave things as they were, seldom resorted to codification of the customary law. Whether changes such as these are abiding or disappear after a brief show of life, the writing remains as their witness; it is the life of the people alone that testifies of institutions which have withstood the attack of external change and modify themselves intrinsically by almost imperceptible degrees.
Source: Wikisource

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