Summary

Cora Moore Twenty-four Little French Dinners and How to Cook and Serve Them

It is as strange as it is true that with the supplies that have lately proved sufficient to feed a world to draw upon the chief trouble with American cookery is its monotony. The American cook has a wider variety of foods at his command than any other in the world, yet in the average home how rarely is it that the palate is surprised with a flavor that didn't have its turn on the corresponding day last week or tickled with a sauce that is in itself an inspiration and a delight, not a mere “gravy,” liable to harden into lumps of grease when it cools.
Source: Gutenberg

Cora Moore Twenty-four Little French Dinners and How to Cook and Serve Them

As for water-cress and pepper-grass and, of course, parsley, minced and otherwise, no French chef would think of preparing a meal without a plentiful supply of them on hand.
It isn't essential that every dish should be turned into an elaborate work of art, as if it were to be entered at the annual exhibition of the Société des Chefs de Cuisine, but neither is there any reason, even with modest means at command, for giving cause for that old slogan of the great American dinner table: “It tastes better than it looks.”
Source: Gutenberg

Cora Moore Twenty-four Little French Dinners and How to Cook and Serve Them

It is upon variety that the French cook confidently relies to make each dish of each meal not just something to eat because her family must have food, not merely a sop to the Cerberus-gnawings of hunger, but a delight to the eye, to the palate, to the stomach—truly a consummation devoutly to be wished for the American home table, and just as possible to attain as it is possible to procure from the grocer or the nearest pharmacist the ingredients by which these wonders are wrought.
Source: Gutenberg

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