Crosbie Garstin

Summary

Crosbie Garstin The Mud Larks

Before the War, William assures us, he was a bright young thing, full of merry quips and jolly practical jokes, the life and soul of any party, but what with the contortions of the mess and the vagaries of the transport mules he had become a saddened man.
Between them—the mules and the mess—he never got a whole night in bed; either the mules were having bad dreams, sleep-walking into strange lines and getting themselves abhorred, or the field guns were on the job and the mess had the jumps.
Source: Gutenberg

Crosbie Garstin The Mud Larks

SCENE.—A shell-pitted plain and a cavalry regiment under canvas thereon. It is not yet "Lights out," and on the right hand the semi-transparent tents and bivouacs glow like giant Chinese lanterns inhabited by shadow figures. From an Officers' mess tent comes the twinkle of a gramophone, rendering classics from "Keep Smiling." In a bivouac an opposition mouth-organ saws at "The Rosary." On the left hand is a dark mass of horses, picketed in parallel lines. They lounge, hips drooping, heads low, in a pleasant after-dinner doze.
Source: Gutenberg

Crosbie Garstin The Mud Larks

The searchlights stab and slash about the sky like tin swords in a stage duel; presently they pick up the bomb-bird—a glittering flake of tinsel—and the racket begins. Archibalds pop, machine guns chatter, rifles crack, and here and there some optimistic sportsman browns the Milky Way with a revolver. As Sir I. Newton's law of gravity is still in force and all that goes up must come down again, it is advisable to wear a parasol on one's walks abroad.
In view of the heavy lead-fall Albert Edward and I decided to have a dug-out.
Source: Gutenberg

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