Summary

Daniel McKenzie Aromatics and the Soul: A Study of Smells (1923)

Among birds, now, courtship and marriage are conducted without any apparent aid from olfaction, and in no group of beings, not even in mankind, is the poetic side of courtship, both before and after marriage, so highly developed and so beautifully displayed. In their love-making the birds appeal to each other through the ear in their songs, and through the eye in the nuptial splendours of the male, splendours which he parades with glorious pomp before what often seems to be, indeed, but a lackadaisical and indifferent spouse.
Source: Wikisource

Daniel McKenzie Aromatics and the Soul: A Study of Smells (1923)

Since Dickens’s time, however, we have had almost too much literary odour.
I do not agree with the purists who deny to Dickens the glory of a great writer of English prose. Dickens was an impressionist, perhaps the first and certainly the greatest of this school, and as such he was a master. Few equal and none surpass him in the rare vigour of scene, and portrait-painting. And it is significant to find him using the aroma of the place and also of the person to impart life and reality to his description.
Source: Wikisource

Daniel McKenzie Aromatics and the Soul: A Study of Smells (1923)

So that a “man of taste” is really a man of smell, and all the literary eloquence in praise of wine and dainty food, to say nothing of the more prosy cookery books, is, in reality, a general hymn of adulation offered unwittingly to the nose !
Compared with sight and hearing, however, smell in man is only one of the minor senses. But, as if to make up for a position so inferior, it is remarkable as being the most subtle of all our senses, possibly, as some hold, because of the ancestral appeal to our (more or less repressed) animal nature.
Source: Wikisource

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