David Christie Murray

David Christie Murray

Summary

Portrait of David Christie Murray David Christie Murray Schwartz: A History

On other days Lil was as other dogs, except, perhaps, to the love-blinded eyes of Schwartz, but on Sundays, so long as the drills for the procession lasted, the field was all her own. One or two of her companions, carried away by her example, dared to run amongst the horses’ feet and bark. They were promptly kicked into the ring of spectators, and Lil was left alone in her glory. Of course it all went with his own confiding nature, and the state of complete slavery in which he lived, to persuade Schwartz of her greatness. She deserves at least that one truth should be admitted.
Source: Gutenberg

Portrait of David Christie Murray David Christie Murray Schwartz: A History

Monsieur Dorn is a man with a huge moustache, fat cheeks streaked with scarlet lines on a bilious groundwork, and a voice raspy with much Geneva and the habit of command. He rides with the unmistakable seat of an old cavalry man, and his behaviour on horseback was a marked contrast to that of the mounted contingent he drilled every day in the open place in front of the hotel. His steed, artfully stimulated by the spur, caracoled, danced, and lashed out with his hind feet, and Monsieur Dorn, with one fist stuck against his own fat ribs, swayed to the motion with admirable nonchalance.
Source: Gutenberg

Portrait of David Christie Murray David Christie Murray Schwartz: A History

There is no living creature but a dog who would not have been ashamed to show such a mixture of transport and self-depreciation. He fawned, he writhed, he rapped his tail upon the floor in a sustained crescendo. The dumb heart had no language for its own delight and humility. Anybody who takes pleasure in dogs has seen the sort of thing scores and scores of times. It was the quality of intensity which made it remarkable in Schwartz.
Lil, for whom this display of joy and humbleness was made, was altogether unmoved by it.
Source: Gutenberg

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