Summary

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? A Lord Peter Wimsey Novel

On the dead face the handsome pair of gold pince-nez mocked death with grotesque elegance; the fine gold chain curved over the naked breast. The legs lay stiffly stretched out side by side; the arms reposed close to the body; the fingers were flexed naturally. Lord Peter lifted one arm, and looked at the hand with a little frown.
“Bit of a dandy, your visitor, what?” he murmured. “Parma violet and manicure.” He bent again, slipping his hand beneath the head. The absurd eyeglasses slipped off, clattering into the bath, and the noise put the last touch to Mr. Thipps’s growing nervousness.
Source: Gutenberg

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? A Lord Peter Wimsey Novel

Assigning a motive for the murder of a person without relations or antecedents or even clothes is like trying to visualize the fourth dimension—admirable exercise for the imagination, but arduous and inconclusive. Even if the day’s interview should disclose black spots in the past or present of Mr. Crimplesham, 104 how were they to be brought into connection with a person apparently without a past, and whose present was confined to the narrow limits of a bath and a police mortuary?
Source: Gutenberg

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? A Lord Peter Wimsey Novel

Lord Peter took with him, for light reading in the train, Sir Reuben Levy’s diary. It was a simple, and in the light of recent facts, rather a pathetic document. The terrible fighter of the Stock Exchange, who could with one nod set the surly bear dancing, or bring the savage bull to feed out of his hand, whose breath devastated whole districts with famine or swept financial potentates from their seats, was revealed in private life as kindly, domestic, innocently proud of himself and his belongings, confiding, generous and a little dull.
Source: Gutenberg

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