Dorothy Mills

Summary

Dorothy Mills The book of the ancient Greeks (1925)

But it cannot, it cannot be that you were wrong, men of Athens, when you took upon you the struggle for freedom and deliverance. No! by those who at Marathon bore the brunt of the peril—our forefathers. No! by those who at Plataea drew up their battle-line, by those who at Salamis, by those who off Artemisium fought the fight at sea, by the many who lie in the sepulchres where the People laid them, brave men, all alike deemed worthy by their country, Aeschines, of the same honour and the same obsequies—not the successful or the victorious alone!
Source: Gutenberg

Dorothy Mills The book of the ancient Greeks (1925)

To confine art to architecture, sculpture and painting, is to rob it of half its meaning. The forms of art are as many and varied as are the interests of every-day life, and this belief is one of the great gifts of Greece to the world. It was not given to every Greek to be a great artist. Not every one could be an Aeschylus and write the Agamemnon, a Sophocles and write the Antigone, a Pheidias and create the Parthenon, or a Praxiteles and model the Hermes, but every one could work in the spirit of which these great works are the supreme examples.
Source: Gutenberg

Dorothy Mills The book of the ancient Greeks (1925)

When the full moon had come, then they would send help to the Athenians. Pheidippides only waited long enough to receive the answer, and then with despair in his heart, he started back to Athens. Over the hills and the plains, through woods and across streams he raced, appealing in his heart to the gods to whom Athens had ever shown honour, yet who seemed to have deserted her in her utmost need. Was there no help? Suddenly he stopped; whom did he see, sitting in a cleft of a rock? It was Pan, the Goat-God.
Source: Gutenberg

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