Summary

Portrait of E. F. Benson E. F. Benson The Room in the Tower and Other Stories…

A bright circle of light was cast by our lamps, fading into darkness in front, while at the sides, cut off by the casing of the lamps, the transition into blackness was sharp and sudden. Every now and then, across this circle of illumination some wild thing would pass: now a bird, with hurried flutter of wings when it saw the speed of the luminous monster, would just save itself from being knocked over; now a rabbit feeding by the side of the road would dash on to it and then bounce back again; but more frequently it would be a hare that sprang up from its feeding and raced in front of us.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The Room in the Tower and Other Stories…

Sandie, who had walked round outside, after giving the beaters their instructions, was at this moment close to him, and with incredible quickness rushed upon him and with his stick struck up the barrels of the gun before he could fire.
"Black hare!" he cried. "Ye'd shoot a black hare? There's no shooting of hares at all in Achnaleish, and mark that."
Never have I seen so sudden and extraordinary a change in a man's face: it was as if he had just prevented some blackguard of the street from murdering his wife.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The Room in the Tower and Other Stories…

For that, beyond all doubt, was their belief, and it would take, not half an hour's talk, but perhaps a couple of generations of education to kill that belief, or even to reduce it to the level of a superstition. At present it was no superstition—the terror and incredulous horror on Sandie's face when Jim raised his gun to fire at the hare told me that—it was a belief as sober and commonplace as our own belief that the hares were not incarnations of living folk in Achnaleish. Also, virulent influenza was raging in the place, and Jim proposed to have a hare-drive to-morrow!
Source: Wikisource

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