E. Nesbit,
Daphne in Fitzroy Street — XI …
(1909)
“ Visions of blood “spurting out all over” painted the stone-coloured door red, and that with no niggard brush. Daphne pushed the door open and entered. No blood was visible.The studio was large and airy, in violent contrast to the musk-paraffin staircase. In the middle of it, on a small couch, lay the invalid raised on one elbow, scowling at the door. He found a false, polite smile, difficult as it seemed.“Do come in,” he said, in a voice that matched the smile to a shade. “I knew it was you when you spoke, and yet I knew it couldn’t be. Come in – is it some more art-criticism? ”
