Summary

Portrait of E. Nesbit E. Nesbit Salome and the Head — 1. Sunlight (1909)

A fallen sapling lay across the lower end of the glade, and on it, self-comprised orchestra of a sylvan theatre, sat a boy, barefooted, bare-chested, blowing at the gleaming silver pipe with at least all a Pan’s energy, and—Templar owned it—a faint touch of the very magic of Pan.
He piped, and he did not pipe to solitude, nor only to his unseen listener. He piped to a nymph and she danced. Between smooth, short turf and arched oak-branches she danced, and the dance was the dance of the wild wood nymph, and the music was the music of the Valse des Fleurs.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Salome and the Head — 1. Sunlight (1909)

Edmund thought of South Africa, and filled his lungs with the soft, sweet air of home; and presently he threw himself down to rest, and sniffed deep with great contentment. There is no scent like the scent of bruised bracken. He lay looking through the straight bracken stems that are themselves a forest. And to him came soft lights, little forest noises—the hum of a wild bee, the scutter of a squirrel, and the stealthy glide of something long and swift under dead leaves that hardly rustled to its passing.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Salome and the Head — 1. Sunlight (1909)

You must wish all the time you have the cards in your hands. Wish for something you really want—not just that it may be fine to-morrow, or that you may be asked to a dance or something.”
He shuffled the cards slowly, with his eyes on the lanky figure almost prim in its neat blue. And through the disguise of the schoolgirl he saw the nymph, and he wished, and his wish was like this: “I wish that I may meet you when you’re a woman, and that I may kiss you then.”
Source: Wikisource

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