Summary

Portrait of E. Nesbit E. Nesbit Salome and the Head — 18. Arrest (1909)

Murder is an ugly thing, and when it stalks, red-stained, among the flowers and tapers of love’s pretty temple, the flowers are apt to fade and the tapers to go out. Figure to yourself Edmund Templar, delayed by a defective taxi-cab, ending his long journey on a borrowed bicycle, propping this up at his love’s shrubbery-gate—longing to see her, to kiss her lips, to look into her eyes, yet tenderly doubtful whether he ought, so late, to intrude, breaking her rest.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Salome and the Head — 18. Arrest (1909)

Such an industry, practised by moonlight, tries a man’s courage. But Templar was strengthened by a quite incomprehensible determination to see the face of the dead man.
He did not see it. Instead he saw what made him doubt whether he were, indeed, seeing anything but some mad, silly dream. There are limits to the things that one can see in the moonlight, limits to the things one can do. He struck a match, looked once again, turned from the shrubbery and ran.
Source: Wikisource

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