Edith Nesbit

Edith Nesbit

Summary

Portrait of Edith Nesbit Edith Nesbit The Red House (1902)

We grew cramped, and changed our positions. Yolande heard the movement and called out, with insolent triumph, “Any sport?” Indignantly we all said, “Hush!” and the weary work of listening began again. Then, suddenly, just as hope had died in every breast, there was a rustle underground, a scamper-rush, a piteous little scream of horror and fear, and a small, fat gray rabbit bolted out of the earth into the net over the hole where Chloe watched. She had it in her arms in an instant. Its feet were caught in the net, but as she held it it ceased to struggle, and lay paralyzed against her bodice.
Source: Wikisource

Portrait of Edith Nesbit Edith Nesbit The Red House (1902)

On the first of these times Chloe and I could not help exchanging glances when we saw how the soft yellow of our tenant's sitting-room wall-paper suited his black-framed etchings and mezzotints. Yolande surprised the glance, and it betrayed us to her. She taxed us roundly with the crime, later on, as we sat sipping cocoa round the kitchen fire at home.
“When will you learn wisdom?” she sighed. “You know you papered that cottage yourselves.”
We owned it shamefacedly.
“Are there no poor paper-hangers out of work? I ask more in sorrow than in anger. Are there no painters in Elmhurst?”
Source: Wikisource

Portrait of Edith Nesbit Edith Nesbit The Red House (1902)

Yolande had found her happiness where we had found it, so let my last words of her leave her there.
And now, if I might, I would leave here certain blank pages to speak for me of certain April days, not ever to be forgotten, and never, never, never to be written about.
I always look with wonder alternating with envy on those men who can set down, in black and white, the heights of their joy, the depths of their trouble. And I marvel whether they have less imagination than I, or more. Chloe can do this thing—and in a woman one can only envy the faculty
Source: Wikisource

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