Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Full Circle (1914)

That memory had faded now, and Betton saw only the dark hours to which his blue and white temple of refreshment formed a kind of glittering antechamber. For after his bath came his breakfast, and on the breakfast-tray his letters. His letters!
He remembered—and that memory had not faded!—the thrill with which he had opened the first missive in a strange feminine hand: the letter beginning: “I wonder if you'll mind an unknown reader's telling you all that your book has been to her?”
Mind? Ye gods, he minded now!
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Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Full Circle (1914)

Was it possible that he had allowed himself to think less well of “Abundance” because it was not to the taste of the average novel-reader? Such false humility was less excusable than the crudest appetite for praise: it was ridiculous to try to do conscientious work if one's self-esteem were at the mercy of popular judgments. All this the professor's letters delicately and indirectly conveyed to Betton, with the result that the author of “Abundance” began to recognise in it the ripest flower of his genius.
But if the professor understood his book, the girl in Florida understood him
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Full Circle (1914)

Vyse surprised him by a momentary hesitation. “I may not have time to dress.”
Betton stared. “What's the odds? We'll dine here—and as late as you like.”
Vyse thanked him, and appeared, punctually at eight, in all the shabbiness of his daily wear. He looked paler and more shyly truculent than usual, and Betton, from the height of his florid stature, said to himself, with the sudden professional instinct for “type”: “He might be an agent of something—a chap who carries deadly secrets.”
Vyse, it was to appear, did carry a deadly secret; but one less perilous to society than to himself.
Source: Wikisource

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