Summary

Portrait of Edmond Malone Edmond Malone A Letter to the Rev. Richard Farmer… (1792)

I had not then undertaken to publish an edition of Shakspeare, nor regularly collated a single play of that author with the authentick copies. When my admiration of his innumerable beauties led me to undertake an edition of his works, I then thought it my duty to exert every faculty to make it as perfect as I could; and in order to ensure a genuine text, to collate word by word every line of his plays and poems with the original and authentick copies; a task equally new and arduous. By this laborious process I obtained one thousand six hundred and fifty four emendations of the text
Source: Wikisource

Portrait of Edmond Malone Edmond Malone A Letter to the Rev. Richard Farmer… (1792)

If an editor in exhibiting his works has religiously adhered to the original and authentick copies, admitting with the greatest caution occasional corrections of manifest errors, he has done his duty, as far as concerns the text; and need give himself little concern about the illiberal censures of those who, like the present hypercritick, from ignorance of the poet's metre arraign his editor, for not having in various instances "endeavoured to help it by a word of his own," or by that which would have been equally improper, an interpolation of Pope or Hanmer, or the editor of the second folio.
Source: Wikisource

Portrait of Edmond Malone Edmond Malone A Letter to the Rev. Richard Farmer… (1792)

I cannot, however, conclude, without noticing one other charge brought against the late editor of Shakspeare, which is perfectly novel. "The reciprocal good opinion" (we are told) "which the publick and Mr. Malone appear to entertain of each other, does both parties infinite honour." It is, I believe, the first time that the good opinion of the publick has ever been stated as a matter of reproach to him who has had the good fortune to obtain it.
Source: Wikisource

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