Summary

Portrait of Elihu Burritt Elihu Burritt Walks in the Black Country and its Green Border-Land… (1868)

Some go down pretty evenly, like the Brades Works. Right under those terrible furnaces the moles are at work night and day rooting out walks through deep coal-seams. Under the foundations of tall-steepled churches all a-light with the evening lamps and resounding with the voices of devotion, the pickmen are at work grubbing lanes under towns, hills, railways, and canals. Everybody seems to feel that they live, labour, eat, and sleep on a very uncertain and unsteady footing. But the decline is very gentle. A house seldom if ever sinks so deep that its occupants have to escape through the roof.
Source: Wikisource

Portrait of Elihu Burritt Elihu Burritt Walks in the Black Country and its Green Border-Land… (1868)

The hill-top of the Wrekin overlooking this buried Roman city, and elevated 1,300 feet above the sea, is not only a grand point of observation but of reflection, commanding landscapes of wonderful extent and variety and scenes of historical interest dotting, like diversely-tinted fields, the checkered expanse of eighteen centuries. As the eye passes from one feature to another of the great valley, so the mind passes from scene to scene and fact to fact in the histories of the land that have been enacted in that space.
Source: Wikisource

Portrait of Elihu Burritt Elihu Burritt Walks in the Black Country and its Green Border-Land… (1868)

For, besides these luxuriant crops then in full verdure, there are pasture lands and twice-mown meadows showing, between long files of hedge-row trees, as vividly green as any our landscape presents on the summer edge of May. Then there are other qualities that not only compensate the season for all its early frosts have abstracted, but give it more than the virgin month of summer can offer to the senses. The bloom and breath of flowers in May delight the eye and that sense which needs not sight for its enjoyment.
Source: Wikisource

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