Emerson Hough

Emerson Hough

Summary

Portrait of Emerson Hough Emerson Hough The Way Out

No Homer of old was ever more a god to his listeners than David Joslin here in the rude structure of his unfinished building.
Again, a yet lighter side of the nature of the mountain man would manifest itself—few, indeed, were more human than himself at heart. With a wide smile, upon occasion, he might call a halt in the labors for a time, and, taking from under a board the new violin, which represented his sole acquisition in the outer world from which he now had exiled himself in turn, he would motion to them to clear a space upon the floor, and fall to dancing for his playing.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough The Way Out

Let no man flatter himself, for of himself he is only a devil. For what have you of your own but sin? Take for yourself sin, which is your own. Your righteousness belongs to God. Nature is wounded, distressed and ruined. It needs a true confession, not a false defense.
“A true confession—not a false defense!” All the honesty, all the ignorance, all the hope of these mountains were in the mind of David Joslin, as he repeated these vague words of the old mystic to himself.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough The Way Out

About the second portion of his errand, Joslin went to the slab pile, which lay above the saw mill near the boat landing, which itself was about a half a mile above the last of the locks of the Kentucky River. As he rose, having gathered his armful of bits of sound pieces for firewood, he heard the chug of a power boat, so unusual a thing in that part of the world that for a time he stood motionless, looking at the craft as it approached.
Source: Gutenberg

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