Ethel Watts Mumford

Ethel Watts Mumford

Summary

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Smart Set, Volume 38, Issue 4… (1912)

Thinking himself unobserved, Montajon picked it up and slipped it into his pocket. Their eyes met, and I understood—that the jewel, a priceless heirloom, would be promptly returned; it would afford instant entree to the salon of Madame la Marquise.
The pendant, attributed to Cellini, was a shield-shaped piece of sixteenth century enamel—the coat of arms of Castel. The supports, two rampant lions, were beautifully modeled, as was the crest, a lion's head and paw emerging from a crown. How dared Valérie trust such a treasure to an utter stranger?
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Smart Set, Volume 38, Issue 4… (1912)

The few people who must know the facts would be only too anxious to say nothing and lend the semblance of rejoicing to the sorrowful marriage feast. The gaping world would see this startling mésalliance apparently sanctioned by friends too blind to be considered such. A conspiracy of silence would screen Montajon—and my dainty, fairylike, gleeful Valérie was tied for life to that hound! For I knew that, having taken the step, she would abide by whatever it brought her. Not for nothing was the motto of the lion-borne escutcheon, “Je suis loyal.”
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Smart Set, Volume 38, Issue 4… (1912)

My father, a surgeon and a man of note, made me sole arbiter of his salon. Here the world of science and of art gathered, quarreled, played, made friends and fought again. Here inventions, discoveries, operas, palaces, paintings, statues, countries and colonies were planned and discussed. Though we are of the “vieille noblesse,” rank alone was no “open sesame” to our doors. Here Valérie found unrestrained outlet for her iconoclastic energies, and here, alas, she met Montajon.
Source: Wikisource

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