F. M. S.

Summary

F. M. S. The Boy Artist

Then he stood up—patted Madge's head—went to the door, and came back again as if seized with a new impulse—shook hands with Raymond, and kissed his little daughter's forehead. "Good-bye, children; take care of yourselves," and he went away. Then Madge came to Raymond's side, and he laid his head upon her shoulder with a low piteous cry.
"Hush, darling, hush," she whispered. "It will all come right, don't fear. Let us trust God; he has given you this talent for painting, and he will teach you how to use it.
Source: Gutenberg

F. M. S. The Boy Artist

We last saw Raymond and Madge almost as children; we find them now grown up. Raymond's character has deepened. He is a great artist, and a great man also—for, added to the depth and strength of mind which the mastery of one subject gives, there were many noble traits in him—and many men now feel themselves privileged if they call Raymond Leicester their friend.
Madge has the same character, and nearly the same face, as she had when a child. She is still Raymond's fireside genius, and a dutiful, tender daughter to her father.
Source: Gutenberg

F. M. S. The Boy Artist

Nobody can do anything if they lose heart."
"But to be always, always working, and to have no success. O Madge, it is so hard and bitter!"
"No success! Why, Raymond, if you'd only heard how the errand-boys praised the way you had done the workman's basket of tools in the Welcome. It was a success in itself."
In spite of himself Raymond laughed, and Madge was satisfied. She went on brightly. "Some day I shall be so proud to be the sister of Mr. Raymond Leicester, the great painter, whose picture will be one of the gems in the Royal Academy some year or other; and we shall glory in you."
Source: Gutenberg

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