Francis Bickley

Summary

Francis Bickley Dictionary of National Biography… (1912)

Though he disclaimed the title of philosopher, he expounded an original philosophy which was at once materialistic and aristocratic. The cosmic process, as interpreted by evolution, was for him a fruitful source of inspiration. His later verse, which is often fine rhetoric rather than poetry, expressed the belief which is summed up in the last words that he wrote, 'Men are the universe become conscious ; the simplest man should consider himself too great to be called after any name.' The corollary was that every man was to be himself to the utmost of his power, and the strongest was to rule.
Source: Wikisource

Francis Bickley Dictionary of National Biography… (1912)

The first two books which appeared under his own name, 'Two Women or One?' (1890) , an ingenious story of double personality, and 'Mea Culpa: a Woman's Last Word' (1891) , show no marked breach of affinity with his earlier work. But in 1893, in 'Mademoiselle Miss and other Stories,' he gave the first, if imperfect, evidence of an independent style. This little book was followed by 'Grey Roses' in 1895 and 'Comedies and Errors' in 1898, delicate studies which proved the writer's mastery of the art of the short story. The influence of Mr. Henry James was visible in Harland's work.
Source: Wikisource

Francis Bickley Dictionary of National Biography… (1912)

In 1898 he published 'The High History of the Holy Graal' (new edit. 1910 in 'Everyman's Library') , a masterly version of the old French romance of 'Perceval le Gallois,' as well as an original study of the legend entitled 'In Quest of the Holy Graal.' Evans's versatility and social charm brought him a varied acquaintance. He knew Thackeray, Darwin, Huxley, Newman, Matthew Arnold, and Ruskin, and at a later period was the intimate friend of Burne-Jones, who shared his interests in mediæval legend and illustrated his history of the Graal.
Source: Wikisource

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