Francis Hopkinson Smith

Francis Hopkinson Smith

Enoch Crane (1916)

Summary

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Enoch Crane (1916)

“ To Ford to-day the horizon of his affairs had cleared to its zenith, and from that great distance things seemed to be coming his way in droves in so vast a proportion that on his return to Waverly Place he garrulously confessed to his wife all that had happened—even to his interview with Enoch; of Lamont’s devotion to them, and of the stanch and generous proof of his friendship. He explained it all to her as merely natural; that in the business world such little incidents were of daily occurrence, and that no really legitimate business was free from them—and, poor soul, she believed him. ”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Enoch Crane (1916)

“ Through all this painful, halting confession, Enoch did not open his lips, his keen sense as a lawyer keeping him silent until her final words, “What am I to do?” left her mute and trembling, with a look in her eyes of positive terror.
Enoch rose with a deep sigh, a strange, hard glitter in his eyes, and stood before her, his strong hands clasped behind his back.
“The old game,” he muttered tensely, gazing at the floor with a knitted brow. “Always a woman,” he exclaimed, his voice rising, “a helpless, trusting woman!”
”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Enoch Crane (1916)

“ Those few moments in the twilight at Enoch’s had made them friends—good friends—a brotherly sort of friendship, which Joe was too frank and honest, and too timid to develop into anything like Mr. Lamont’s European love-making, and which Sue was the happier for, since she had not yet quite recovered from that tragic afternoon that had left her dazed, and in a state of remorse that took all her courage to conceal from her mother. There is nothing that wins the heart of a pure young girl more than implicit confidence. ”
Source: Gutenberg

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