George A. Birmingham

George A. Birmingham

Summary

Portrait of George A. Birmingham George A. Birmingham A Padre in France

The day closes early in these great camps. At half-past eight the recreation huts close their doors. Concerts and entertainments are over. The men stream back to their tents along muddy roads, laughing, chatting, singing. Lights appear in the tents, and a glow, red or white, shines through the canvas. One after another these are extinguished. The “Last Post” sounds from a dozen bugles. The multitudinous noises of camp life die away. The rifle-fire which has crackled all day on the ranges has long ceased. The spluttering of machine guns in the training camps vexes the ear no more.
Source: Gutenberg

Portrait of George A. Birmingham George A. Birmingham A Padre in France

Lights shone, browny red, through the canvas of the tents. The noise of thousands of men, talking, laughing, singing, rose to us, a confused murmur of sound. As we stood there, looking, listening, a bugle sounded from one corner of the great camp, blowing the “Last Post.” One after another, from all directions, many bugles took up the sound. Lights were extinguished. Silence followed by degrees. We scrambled down a steep path to our quarters.
“This,” I said, “is not an army. It is an empire in arms.”
Source: Gutenberg

Portrait of George A. Birmingham George A. Birmingham A Padre in France

I had no chance of knowing that great comradeship which grows up among those who suffer together. War, seen at the front, is hell. I hardly ever met any one who doubted that. But it is a hell inhabited not by devils, but by heroes, and human nature rises to unimaginable heights when it is subjected to the awful strain of fighting. It is no wonder that those who have lived with our fighting army are filled with admiration for the men, are prepared to bless altogether, not war which we all hate, but the men who wage it.
Source: Gutenberg

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