Summary

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter IX (1881)

The Polish lady, incommoded by the capricious and often excessive speed required of her, held on gallantly, Jack all the time grinding his teeth, dancing, gesticulating, and by turns shshsh-shing at the orchestra, or shouting to them for more tone and less noise. Even the lady on the steps had begun to nod to the impetuous rhythm, when the movement ended as suddenly as it had begun; and all the players rose to their feet, laughing and applauding heartily. Manlius, from whose mind the fantasia had banished all prejudice as to Jack's rank as a musician, shook his hand warmly.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter IX (1881)

Manlius took the stick and mounted the desk, the orchestra receiving him with applause. In the midst of it Jack went out, giving the pianist a terrible look as he passed her, and transferring it to her companion, who raised her eyebrows and shoulders contemptuously.
Manlius was not the man to impose his own ideas of a composition on a refractory artist; and though he was privately disposed to agree with Jack that the Polish lady was misjudging the speed of the movement, he obediently followed her playing with his beat.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter IX (1881)

You talk of making a pianoforte sing—a child that can sing itself can do that. But she can make it speak. She has eloquence, the first and last quality of a great player, as it is of a great man. The finale of the fantasia is too coarse for her: it does violence to her nature. It was written to be played by a savage—like me."
"Oh, undoubtedly, undoubtedly! She is a remarkable player. I did not for a moment intend to convey—" Here Manlius rapped his desk; and Jack, with a unceremonious nod to his interlocutor, left the platform.
Source: Wikisource

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