Fantasia

Definition and stakes

Otto Jahn,  Life of Mozart, Vol. 3 (of 3)

“ After the regular fourth entry of the whole motif, a free fantasia begins with the separate parts of it and the counter motif, in the most varied shades of expression, with an ease and elegance which lets nothing appear of the technicalities of counterpoint, and displays an animation and liveliness of truly sparkling brilliancy. ”
Source: Gutenberg

Thomas Carlyle,  The Works of Thomas Carlyle/Volume 1 (1896)

“ Nay, even for the basest Sensualist, what is Sense but the implement of Fantasy; the vessel it drinks out of? Ever in the dullest existence there is a sheen either of Inspiration or of Madness (thou partly hast it in thy choice, which of the two) , that gleams-in from the circumambient Eternity, and colours with its own hues our little islet of Time. The Understanding is indeed thy window, too clear thou canst not make it; but Fantasy is thy eye, with its colour-giving retina, healthy or diseased. ”
Source: Wikisource

Thomas Hood,  The Works of Thomas Hood; Vol. 01…

“ What grotesque fantastic shapes must have come tumbling, rolling, crawling, dangling, dancing, prancing, floundering, flopping, striding, sliding, ambling, shambling, scrambling, stumbling, bundling, and trundling into her mind’s eye, to so startle her features from their propriety! What face-making faces, with telegraphic brows—rolling, reeling, goggling, ogling, hard-winking, and soft-blinking eyes—and grinning, gaping, pinching, puckering mouths must have grimaced at her to put her steady countenance so out of countenance! What is there in a name? Why magic! ”
Source: Gutenberg

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