Summary

Portrait of Thomas Frognall Dibdin Thomas Frognall Dibdin A Bibliographical, Antiquarian and Picturesque Tour in France and Germany…

Some delightful glimpses of the Danube, to the left, from the more elevated parts of the road, accompanied us the whole way; till we caught the first view, beneath a bright blue sky, of the towering church and MONASTERY OF MÖLK.101 Conceive what you please, and yet you shall not conceive the situation of this monastery. Less elevated above the road than Chremsminster, but of a more commanding style of architecture, and of considerably greater extent, it strikes you-- as the Danube winds round and washes its rocky base--as one of the noblest edifices in the world.
Source: Gutenberg

Portrait of Thomas Frognall Dibdin Thomas Frognall Dibdin A Bibliographical, Antiquarian and Picturesque Tour in France and Germany…

The first view of the interior of this cathedral, seen even at the most favourable moment--which is from about three till five o'clock--is far from prepossing. Indeed, after what I had seen at Rouen, Paris, Strasboug, Ulm, and Munich, it was a palpable disappointment. In the first place, there seems to be no grand leading feature of simplicity: add to which, darkness reigns every where. You look up, and discern no roof--not so much from its extreme height, as from the absolute want of windows.
Source: Gutenberg

Portrait of Thomas Frognall Dibdin Thomas Frognall Dibdin A Bibliographical, Antiquarian and Picturesque Tour in France and Germany…

It is a most magnificent pile of building: a truly imperial residence--but neither the furniture nor the objects of art, whether connected with sculpture or painting, are deserving of any thing in the shape of a catalogue raisonné. I saw the chamber where young Bonaparte frequently passes the day; and brandished his flag staff, and beat upon his drum. He is a soldier (as they tell me) every inch of him; and rides out, through the streets of Vienna, in a carriage of state drawn by four or six horses, receiving the homages of the passing multitude.
Source: Gutenberg

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